Margel Hinder, Growth Forms




UTS has completed a long-term preservation and relocation project on an important modernist sculpture in the UTS Art Collection, Growth Forms (1959) by Margel Hinder (1906­–1995).

Margel Hinder was one of the most significant Australian sculptors of the 20th century. Her inventive and curious approach to new industrial materials and production methods ushered in a new era of public art in Australia.

In 1959, Margel Hinder was commissioned to create an abstract four-metre-high braised copper and steel sculpture for government architect Peter Johnson’s Western Assurance Building in Pitt Street. Conceived as spanning floor to ceiling, Growth Forms is a porous, organic structure that can be likened to the natural forms of bones or thorns. The work was initially conceived as a collaboration between Hinder and Johnson to ‘activate’ the public space of the site and was Hinder’s first corporate commission.

Working with Margel Hinder was a revelation – a bright, inquisitive, mercurial, creative mind determined to establish the meaning and relevance of sculpture to architecture, querying whether sculpture as art was expression or communication. – Peter Johnson

In 1980, the Western Assurance Building was sold, and the developer began to cut the sculpture up for scrap metal. With intervention from both the Art Gallery of New South Wales and the New South Wales State Architect it was saved and reassembled by the artist. In 1997, Growth Forms was donated to UTS by Lend Lease Developments, in a process led by the original commissioning architect Peter Johnson, who was by this time UTS Chancellor.

…it is meant to convey a feeling of vitality and dynamic quality appropriate to an ultra modern building designed with simplicity. – Margel Hinder

Following a renewed interest in the artist’s work after the retrospective Margel Hinder: Modern in Motion at the Art Gallery of New South Wales and Heide Museum of Modern Art, the sculpture was conserved and relocated to a prominent new position in the foyer of the UTS Tower.

Alongside this conservation project, the artist Diana Baker Smith has been developing She Speaks in Sculpture, a UTS Gallery exhibition of new works that parallel the extraordinary journey of Hinder’s sculpture with the tension between public art and urban development in Sydney, artist moral rights and the politics of art history. The exhibition opens at UTS Gallery on 19 July.


Image: Margel Hinder, Growth Forms, 1958/59, brazed copper sheet over steel armature, 410 x 150 cms. UTS Art Collection, gift of Lend Lease P/L, 1998. Photo: Lucy Parakhina.